Directed By Stuart Gordon
In Stuck, an agonizing black comedy by writer/director Stuart Gordon, one character’s bad luck unexpectedly collides one night with another’s bad decision-making to produce the most unrelentingly gruesome story to hit the screen in a long time. It’s a typical Friday in Providence, Rhode Island, and Brandi (Mena Suvari), a young, hard-working nursing home attendant, has just been offered an important promotion—with the one condition that she prove her dedication to the job by coming in early on Saturday morning. Both to celebrate and to unwind, she makes plans for a night out with her co-worker/friend Tanya (Rukiya Bernard) and drug-dealer boyfriend Rashid (Russell Hornsby). Over the course of the same day, the recently laid off Tom (Stephen Rea) not only gets kicked out of his apartment, but loses a crucial job interview and is forced to spend the night on a park bench. Ordered out of the park in the middle of the night by the police, Tom, complete with newly acquired shopping cart, makes his way on foot across town to the homeless shelter. At a dark, quiet intersection, the now thoroughly soused Brandi, driving home alone, hits what she believes to be a homeless man with her car. Tom’s head crashes through her windshield and blood drips liberally onto the seats. Brandi screams, and panics. And then she drives home…with Tom still on top of the car.
In the farsical aftermath of the accident, Brandi attempts to cover up her irresponsible behavior and still earn her promotion by hiding her car, and with it, the brutally mutilated Tom, in her garage…eventually planning to kill him with the street-wise Rashid’s help. When Tom, far from dead, realizes he’s a prisoner and tries to escape, a battle of wills ensues. As it progresses, it becomes one of the bloodiest, grossest, and ultimately most ludicrous battles of will imaginable, as Brandi develops progressively sicker and more elaborate ways of taking revenge for the accident on her victim, Tom, who simply refuses to die. While the sheer audacity of these two characters sometimes affords a laugh, the film seems much more hell-bent on making the audience sick to their stomachs in a way that does not, contrary to various claims, teach us about the nature of humanity vs. inhumanity. I was not particularly thrilled to be stuck in the theatre for 94 minutes.